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Thank you for your interest in Phantom Projects’ productions.

To be automatically e-mailed when new auditions are announced, click here.

Auditions: March 11 & 12, 2024

Phantom Projects Theatre Group is casting for our 2024 School Tour!

Non-Union. Paid $17/hour for rehearsals and show days. There will be approx 12-20 rehearsal hours. Show days are paid a 4-hour minimum but can range in actual length from 3-8 hours.

Directed by: Steve Cisneros

We are casting energetic, enthusiastic performers who enjoy working with children.

All performers must be over 18, and have reliable transportation to get to each performance which may be in LA, Orange or Riverside Counties

Most performances are during school hours at local elementary schools, however there are occasional after-school performances.

Performers will also set-up and breakdown the simple sets and props. All actors will be trained on proper usage.

By Appointment Only:

March 11, 2024:
6pm-9:30pm

March 12, 2024:
6pm-9:30pm

Callbacks (Invitation Only):

March 14, 2024:
7pm-9pm

Auditions will be at Phantom Projects’ Rehearsal Hall, 15517 Phoebe Ave, La Mirada CA 90638, by appointment only.

Please bring a headshot and resume. Click the character breakdown below to find sides for each role. Please also bring your schedule conflicts. Below is the list of shows currently booked (more will be added, but we can work around most conflicts and avoid booking shows on days that have conflicts). However, once a show is booked, we cannot change the date.

April 15-17 (La Habra) Shows at 9:30am and 12:30pm

April 18 – 3:00pm

April 26 – after school

May 2, May 7, May 8, May 15, May 16, May 17, May 22, May 28, June 7

There will be approx. 6-10 performance days per month. Sometimes, there are multiple schools in one day.

April 15-June 11, 2024.  Most shows are during the school day. Conflicts can be worked around with advanced notice. There are no understudies and as such, each performer is expected to be at each performance day.

Our tour starts with field trip performances at our theatre in La Habra with the following dates and times and then continues on to schools in LA/OC/Riverside counties until June 11, 2024.

There will only be 6-8 rehearsals, however, due to the nature of the script, every actor must be at every rehearsal. 

The schedule will be based completely on actor conflicts that we know about at the audition.

E.B. White’s Classic Story Comes to Life!

All the enchanting characters are here: Wilbur, the irresistible young pig who desperately wants to avoid the butcher; Fern, a girl who understands what animals say to each other; Templeton, the gluttonous rat who can occasionally be talked into a good deed; the Zuckerman family; the Arables; and, most of all, the extraordinary spider, Charlotte, who proves to be “a true friend and a good writer.”

Lots of energy and willingness to perform ”big” so that young audiences feel as if they ware watching the book come to life just for them!

WILBUR, MALE or FEMALE, 18 and over. A pig. Naive at first, eventually courageous. He is loveable, curious about the world, and a true friend. Click here for AUDITION SIDES

CHARLOTTE, FEMALE, 18 and over. to play a spider. She is Wilbur’s barnyard guardian angel. She is smart, resourceful and wise, and maybe a little bit quirky. (Also provides offstage voices to 2 characters). Click here for AUDITION SIDES

TEMPLETON, MALE, 18 and over. Wily, mischievous and selfish rat. Actor also plays Arable, Fern’s father, among other characters. (Also plays Arable and Lurvy). Click here for AUDITION SIDES

FERN, FEMALE, 18 and over. To play young girl. Loyal and loving girl who is Wilbur’s human protector; (Also plays Goose, Judge, Spectator). Click here for AUDITION SIDES

HOMER, MALE, 18 and over. The friendly farmer. (Also plays a Sheep, Spectator, Judge and Avery). Click here for AUDITION SIDES

NARRATOR, MALE or FEMALE, 18 and over. Energetic guide to our young audiences. Sets the tone of the whole show! (Also plays Gander, Reporter, Uncle the Pig, and the President of the Fair). Click here for AUDITION SIDES

Auditions: March 11 & 12, 2024

Phantom Projects is casting for “#TheSocialMediaPlay,” part of the educational “Teens On Tour” series at La Mirada Theatre for the Performing Arts.

This powerful drama for teens focuses on the powerful impact of social media, cyber-bullying, and some of the dangerous outcomes young people meet as a result of the pressures around them and within them.

All performers in this production must be between the ages of 12-21. We are not casting outside of those age ranges for this particular project.

Features an all-youth cast and a post-show discussion.

By Appointment Only:

March 11, 2024:
6pm-9:30pm

March 12, 2024:
6pm-9:30pm

Callbacks (Invitation Only):

March 14, 2024:
7pm-9pm

Auditions will be at Phantom Projects’ Rehearsal Hall, 15517 Phoebe Ave, La Mirada CA 90638, by appointment only.

Please bring a headshot and resume. All sides will be provided at the audition for a cold read.

Performances consist of 3 shows on April 11th, 2024 at La Mirad Theatre for the Performing Arts. The first 2 shows are field trip shows during the school day, followed by an evening performance open to the public.

The shows will be at 9:30am, 12:30pm and 7pm.

There is no pay.

We rehearse on weeknights and weekends. Not every actor will be called to every rehearsal. We never rehearse on Fridays.

The schedule will be based completely on actor conflicts that we know about at the audition. We can usually work around conflicts submitted at your audition, but do not accept conflicts after this.

Features an all-youth cast and a post-show discussion.

#TheSocialMediaPlay, inspired by real-life tragedy wrought upon young adults, and detailing the tumultuous relationship between cause and effect of social media usage in today’s unfiltered world.

As the landscape of digital communication has altered the way in which the youth of today interact with one another, it was only a matter of time before digital platforms were utilized for bullying and other forms of harassment. #TheSocialMediaPlay shines a light on the emotional turmoil caused by cyberbullying; a new method of perpetuating one of the oldest teen issues known to society. As a result, youth suicide rates tied to this type of behavior, are at an all time high. 

The themes included in #TheSocialMediaPlay include real-life stories picked right out of the ashes of the tragedy; depicting actual accounts involving teens ripped from today’s headlines. This show focuses heavily on short term actions which levy very long term consequences.

ACTORS & PERFORMERS
 
KRIS, 16-19, Female: Shelley’s friend: Supportive friend to Shelly who tries to console her with advice and thoughts. But, as many might be in this situation, doesn’t exactly know the right words to say to make It better.
 
MARCUS, 16-19, Male: Sees Shelly’s private photos intended for Paul and sends them around. He isn’t try to ruin Shelly’s life but he definitely isn’t thinking about any of the consequences.
 
PAUL, 16-19, Male: Paul is the new guy Shelley has been dating. As if to brag about how “hot” his new girlfriend is, he shows is best friend photos she has sent him. Paul’s friend takes pics of the pics and sends them round, thus starting the downward spiral of Shelly.
 
VANESSA, 17-21, Female: Jasmine’s older sister. Jasmine confides in her that she’s been talking to an older guy. Vanessa can’t believe what she’s hearing and immediately struggles with being a trustworthy older sister and trying to protect her little sister, but also fighting the desire to be a mother figure and talk sense into Jasmine.
 
LISA, 15-21, Female; Todd’s supportive friend, funny, quirky, good comedic timing. Doing the best she can, she’s there for Todd with advice and support, even if she’s not always sure what to say or do.
 
TODD, 15-21, Male; This high school student has recently come out as gay, and suddenly his life is turned upside down. Cyberbullying and anonymous attacks from strangers and have taken a toll, sending him into seclusion.
 
ENSEMBLE, 12-21, Male and Female; The ensemble is used throughout the show as supporting roles. These performers will be seen throughout the show, with lines and will have ample stage time. These are not “background” roles, but supporting elements of the overall production.

Dates and details: March 18th and 19th, 2024

The Phantom Projects Theatre at La Habra Depot is casting for “Sweeney Todd”.

Director: Miguel Cardenas
Musical Director: Jennifer Schniepp

An infamous tale, Sweeney Todd, an unjustly exiled barber, returns to nineteenth century London, seeking vengeance against the lecherous judge who framed him and ravaged his young wife. The road to revenge leads Todd to Mrs. Lovett, a resourceful proprietress of a failing pie shop, above which, he opens a new barber practice.

Mrs. Lovett’s luck sharply shifts when Todd’s thirst for blood inspires the integration of an ingredient into her meat pies that has the people of London lining up…and the carnage has only just begun!

By Appointment Only:

March 18, 2024:
7pm-10pm

March 19, 2024:
7pm-10pm

Callbacks (Invitation Only):

Sunday March 24, 2024:
7pm-10pm

If you are unable to attend auditions in person, please submit an audition video at the link below.

https://forms.gle/kncDME6X2RvA7GkY7

Video must include an accompanied song 16-32 bars in the style of the show, no acapella.

Auditions, callbacks, rehearsals and performances will be at The Phantom Projects Theatre at La Habra Depot located at 311 South Euclid St, La Habra

What to prepare:
16-32 bars of a song in the style of the show. Please no contemporary/pop songs.
 
There will be an accompanist provided, please bring your sheet music in the key you will be singing in.
 

Please bring a headshot and resume. 

Performances:
Daytime Field Trip Performance: Wed May 30 at 10:00am

Public Performances: Thursday-Sunday, May 31-June 16.

Each performer will receive a $750 Stipend at the completion of the project.

We rehearse on weeknights and weekends. Not every actor will be called to every rehearsal.

The schedule will be based completely on actor conflicts that we know about at the audition. We can usually work around conflicts submitted at your audition, but do not accept conflicts after this.

Sweeney Todd
Music and Lyrics by Stephen Sondheim
Book by Hugh Wheeler
Directed by Miguel Cardenas

An infamous tale, Sweeney Todd, an unjustly exiled barber, returns to nineteenth century London, seeking vengeance against the lecherous judge
who framed him and ravaged his young wife. The road to revenge leads Todd to Mrs. Lovett, a resourceful proprietress of a failing pie shop,
above which, he opens a new barber practice.

Mrs. Lovett’s luck sharply shifts when Todd’s thirst for blood inspires the integration of an ingredient into her meat pies that has the people of London lining up…and the carnage has only just begun!

Sweeney Todd Casting Breakdown

 

A Note About Casting:

London is one of the most diverse cities in the world. 

Historically, productions of Sweeney Todd have whitewashed this fact. This 

production of Sweeney Todd is looking to cast an inclusive and diverse company of actors who reflect the world we live in today. The characters as written are on the binary and are written with he/him or she/her pronouns, which you will see in the following descriptions. But however limiting the descriptions are, our casting seeks to be as inclusive as possible and we invite gender non-conforming, genderqueer, transgender and non-binary actors to audition for the roles they most identify with.We are seeking all races and ethnicities and  actors with disabilities as well as non-disabled actors for all roles. Please let us know if you have any questions, concerns, or if there are any accommodations we can provide.

 

A Note About Accents: 

Accents listed are not expected at auditions, will be expected to be attempted at callbacks. and will be worked on throughout the rehearsal process. 

 

Roles:

Sweeney Todd 30-50

Sweeney escaped from prison after being wrongfully accused and jailed for fifteen years. Formerly a proud barber, a loving husband and a happy father, Sweeney is now consumed by loss and revenge. He has returned to London to right the wrongs committed against him, his wife, and his daughter. Sweeney is charming but hot-tempered, ferocious yet vulnerable. Speaks with an Estuary or London dialect. F2-Gb4

 

Mrs. Lovett 30-50

An entrepreneurial meat pie shop owner who will do whatever it takes to survive. She is in love with Todd and hopes that he’ll forget the past and build a new life with her. At first shocked by Sweeney’s bursts of violence, Lovett turns his desire for revenge into a profitable business venture. She is resourceful, ambitious, charismatic, and has great comedic timing. Mezzo with belt. Speaks with a Cockney accent. G3 -E5

 

Anthony Hope 20-30
A youthful sailor who helps Sweeney return to London and unexpectedly falls in love with Johanna. He is idealistic, romantic and a little reckless. His passions sometimes get the better of his reason and his enthusiasm sometimes makes him unintentionally comedic. Over the course of the show he awakens to the horrors around him and becomes disillusioned with London. Tenor. Speaks with a standard British accent. Bb2 -F4

Johanna 18-25
Todd’s long-lost daughter and Judge Turpin’s young ward. Homeschooled and largely homebound. She has a rebellious, subversive and romantic streak and longs to escape her confinement. Johanna is aware that Judge Turpin isn’t her real father and suspects that he might be a predator. Like her father, she has experienced trauma and possesses a buried capacity for violence. Although described as “pale” and “yellow haired,” we are not taking this literally. Soprano. Speaks with a standard British accent Bb3 – A5.

Tobias Ragg 18-25
A poor youngster apprenticed first to Pirelli and then to Mrs Lovett. He is industrious and eager to please, with a good sense of humor. Uneducated, but innately clever and observant, Tobias responds quickly to the kindness of Lovett but grows increasingly suspicious of Sweeney. After a betrayal, Toby experiences the violence and terror of this world and snaps. Or maybe he just becomes like everyone else. Tenor. Speaks with a Cockney accent. Bb2 – Ab4

 

Judge Turpin 40-60
A lecherous public official who portrays himself as a sanctimonious authoritarian. He takes advantage of his position to imprison Todd, assault Lucy, and take Johanna in as his ward. He is aware that what he wants and what he’s done is wrong, yet chooses to ignore or push against his conscience. Embodies Puritanitcal hypocrisy: he lusts after Johanna, even as he professes to keep her innocent. Bass/baritone. Speaks with a standard British accent. E2-Gb4

Beadle Bamford 30-50
A pompous public official who is responsible for the health and safety of London. He possesses a dry, deadpan sense of humor and enjoys wielding his power. He is not a snivelling civil servant. He is deeply loyal to Turpin, though in his heart of hearts he believes he’s better than the judge. The Beadle loves singing children’s nursery rhymes, which remind him of his youth. Tenor with a strong falsetto. Speaks with a standard British accent. D3-D5

 

Beggar Woman/Lucy Barker 30-50
An eerie, poor soul living on the streets of London. She supports herself by begging and prostituting herself to sailors. The Beggar Woman is Sweeney’s wife, Lucy, who lost her mind after being assaulted by Turpin and taking poison. She has occasional flashes of lucidity and distrusts Mrs. Lovett. Like the oracle Cassandra, She is the only one who sees what’s happening but no one will listen to her. Mezzo. Speaks with a Cockney or Estuary. Accent. Ab3 -F5

 

Adolfo Pirelli 30-50
An Irish former employee of Sweeney’s who has since developed a public persona as a flamboyant and flashy world-famous Italian barber. A charlatan who sells fake medicine and challenges other barbers to shaving contests. Pirelli is charming, calculating, and over-the-top comedic. Possess some anti-English sentiments and does not take lightly to being publicly embarrassed by Sweeney. High tenor/Alto. Speaks in both an Italian and Irish. Accent. B2-C5

Jonas Fogg 25-50
The owner of Fogg’s Asylum. Fogg sells the hair of inmates to wigmakers. Considers the inmates “children” and takes pleasure in showing them off to visitors. Chooses to ignore the human rights of his patients in the name of scientific progress. An authoritarian who is really a coward at heart.. Speaks with an Estuary dialect. A2-E4